I can't help but feel that this film was inspired in part by Hamlet. It's as if they used the tragedy as a template and then freed themselves to create an epic New York story. Dead father and revengeful child haunted by ghosts of inaction. In fact, this thought first struck me just after Caprio saves the Butcher's life....not sure why....maybe it was reminiscent of the "Now I'll do it...thus am I revenged" soliloquay (sp?)....but just as I am attempting to draw parallels to Hamlet, the character of Monk (the eventual Sheriff) says to Leo, "That was postively Shakespearean". I think an argument (albeit a weak one) can be made for Diaz's character being loosely based on dear ol' Mumsy as well....
I had heard that this was an overly violent film, but I really didn't find it so. Most of the violence is imagined.
And this guy DD Lewis.....he continues to amaze me....gritty as grit....dirty as dirt.....with an eye as glassy as glass....how on earth did they do that tapping the knife point on his eye scene anyway....so cool....
Now I did have two problems with this film...one minor, the other major....
The minor problem was this quick little scene where Leo tosses the bible into the Hudson (East?)....and then goes on to pray for strength....why the contradiction....was sectarian thought okay as long as it was his very own?
Then I had a big problem with the length of the movie....it was one scene too short....I totally got the allegory that the times had changed and what mattered before did not seem half as important as the new world order. I saw this as the two rivals lay battered by the militaristic onslaught barely able to believe what had happened. But Coppola goes on to make sure that we all get it by montaging the changing NYC skyline ending up with a shot of the twin towers. My question is this....if he is going to make this statement, why didn't he go all the way and continue the montage to show the skyline as it is today?
This is the best movie I have seen since American Beauty and that was the best movie I had seen since Silence of the Lambs.....and like I did with those films, I hereby predict a sweep of 4 of the big 5 Oscars. Sorry Cameron, maybe a nod, but no gold for you.




